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CV
Gold Star Days, 2023. Commercial floor decals inlaid into cast concrete, featuring a hauling chain, silicone hotdog wall hangers, plasDc boEles, and specimens in soluDon. 86”T x 63”W x 3”D
Gold Star Days, 2023. Commercial floor decals inlaid into cast concrete, featuring a hauling chain, silicone hotdog wall hangers, plasDc boEles, and specimens in soluDon. 86”T x 63”W x 3”D
Gold Star Days, 2023. Commercial floor decals inlaid into cast concrete, featuring a hauling chain, silicone hotdog wall hangers, plasDc boEles, and specimens in soluDon. 86”T x 63”W x 3”D
Gold Star Days, 2023. Commercial floor decals inlaid into cast concrete, featuring a hauling chain, silicone hotdog wall hangers, plasDc boEles, and specimens in soluDon. 86”T x 63”W x 3”D
Gold Star Days, 2023. Commercial floor decals inlaid into cast concrete, featuring a hauling chain, silicone hotdog wall hangers, plasDc boEles, and specimens in soluDon. 86”T x 63”W x 3”D
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Pissing Fountain, 2021, Fountain, wall, and indeterminable liquid saturating the space throughout installation. (installed 58” off the ground.) Variable Dimensions
Star Eyes (Guantes), 2023. Concrete, hauling chain, track spikes, magnets, steel plate, found image. 23”T x 16”W x 5”D
CV
Anthony Rundblade
b. 1987 San Antonio, Texas, USA
Resides and works in South & Central Texas
Resides and works in South & Central Texas
Education/Training:
2022: MFA, University of Texas - Austin, Austin, TX, USA
2015: BFA - Focus in Printmaking, University of Texas at San Antonio, San Antonio, TX, USA
Selected Solo exhibitions:
2025, Ant in the Afterbirth, Nightclub Gallery, Minneapolis/St. Paul, MN, USA
2025, Static Angel, Galerie Ego, Marfa, TX, USA
2022, Cascade, Nightclub Gallery, Minneapolis/St. Paul, MN, USA
2019, Nearer Midnight, Presa House Gallery, San Antonio, TX, USA
2018, Catastrophe Parade, The Dirty Dark Place, Kyle, TX, USA
2017, Cloak Dagger Parallel Meridians, Hello Studios, San Antonio, TX, USA
Selected group exhibitions:
2025, Spencer’s Boutique, 95 Gallon Gallery at A Hug from The Art World, New York, NY, USA
2025, A Mosquito Bit My Thumb, GURE Gallery, Chicago, IL, USA
2025, Emerging from Where, David Shelton Gallery, Houston, TX, USA
2025, Hope Lies in the Smoldering, St. Edwards Fine Arts Gallery, Austin, TX, USA
2025, Mosh Now Cry Later, The Contemporary, San Antonio, TX, USA
2025, Crash Course, The Bunker, San Luis Obispo, CA, USA
2024, Tales from a Concrete Garden, Co-Lab Projects, Austin, TX, USA
2023, Nice Work III, SULK Chicago, Chicago, IL, USA
2023, All of the Clocks Have Been Wrong for Years, Mass Gallery, Austin, TX, USA
2023, Wild Orientations Wild Ruins, an open-air ranch in the badlands, Adkins, TX, USA
2023, Never Change, Nightclub Gallery, Minneapolis/St. Paul, MN, USA
2023, Picking at Scabs, Trinity University Fine Art Gallery, San Antonio, TX, USA
2022, Bag Lunch, Unsmoke Systems, Pittsburgh, PA, USA
2022, Painted Hooves, Visual Arts Center – UT Austin, Austin, TX, USA
2022, Doom & Bloom, Co-Lab Projects, Austin, TX, USA
2019, Bush League, Sweet Pass Sculpture Park, Dallas, TX, USA
2018, Common Currents, Southwest School of Art Fine Art Gallery, San Antonio, TX, USA
Awards:
2020, South Texas Graduate School Fellowship, UT-Austin, Austin, TX, USA
Residencies:
2025, Berlin Residency, Küstlerhaus Bethanien/The Contemporary-San Antonio, Berlin, Germany
2018, Dirty Dark Place Residency, Kyle Flea Market, Kyle, TX, USA
2016, Shepherd Print Studios, Boston, MA, USA
Grants:
2025, Department of Arts & Culture Grant FY 2026, City of San Antonio, San Antonio, TX, USA
Professional contributions:
2017-2019: Studio Manager, Artpace – San Antonio, San Antonio, TX, USA.
2015-2017: Studio Technician, Artpace – San Antonio, San Antonio, TX, USA.
Biography
Anthony Rundblade (born 1987, San Antonio, Texas, USA) is a contemporary sculptor and
installation artist based in South and Central Texas. Rundblade generates a tension between alienation and familiarity. He is best known for
experimental processes, uncanny imagery, and often unexpected use of space.
Rundblade’s practice engages the principles of the grotesque, using distortion, excess, and inversion to challenge conventional modes of perception. His work is characterized by an interplay between the visceral and the absurd, often confronting viewers with forms that oscillate between attraction and repulsion.
Notable solo projects include Ant in the Afterbirth (2025) & Cascade (2022), both at Nightclub Gallery, Minneapolis, MN, USA. Notable Collaborative exhibitions include Doom and Bloom (2022) at Co-lab Projects, Austin, TX, USA, and Mosh Now Cry Later (2025) at The Contemporary at Blue Star, San Antonio, TX, USA.
Rundblade’s practice engages the principles of the grotesque, using distortion, excess, and inversion to challenge conventional modes of perception. His work is characterized by an interplay between the visceral and the absurd, often confronting viewers with forms that oscillate between attraction and repulsion.
Notable solo projects include Ant in the Afterbirth (2025) & Cascade (2022), both at Nightclub Gallery, Minneapolis, MN, USA. Notable Collaborative exhibitions include Doom and Bloom (2022) at Co-lab Projects, Austin, TX, USA, and Mosh Now Cry Later (2025) at The Contemporary at Blue Star, San Antonio, TX, USA.